WEP may stand for:
Wired Equivalent Privacy (WEP) is a security algorithm for IEEE 802.11 wireless networks. Introduced as part of the original 802.11 standard ratified in 1997, its intention was to provide data confidentiality comparable to that of a traditional wired network. WEP, recognizable by the key of 10 or 26 hexadecimal digits, was at one time widely in use and was often the first security choice presented to users by router configuration tools.
In 2003 the Wi-Fi Alliance announced that WEP had been superseded by Wi-Fi Protected Access (WPA). In 2004, with the ratification of the full 802.11i standard (i.e. WPA2), the IEEE declared that both WEP-40 and WEP-104 have been deprecated.
WEP was included as the privacy component of the original IEEE 802.11 standard ratified in 1997. WEP uses the stream cipher RC4 for confidentiality, and the CRC-32 checksum for integrity. It was deprecated in 2004 and is documented in the current standard.
Standard 64-bit WEP uses a 40 bit key (also known as WEP-40), which is concatenated with a 24-bit initialization vector (IV) to form the RC4 key. At the time that the original WEP standard was drafted, the U.S. Government's export restrictions on cryptographic technology limited the key size. Once the restrictions were lifted, manufacturers of access points implemented an extended 128-bit WEP protocol using a 104-bit key size (WEP-104).
Kassav' is a Caribbean band formed in Guadeloupe in 1979. The core members of the band are Jocelyne Béroard, Jacob Desvarieux, Jean-Philippe Marthély, Patrick St. Eloi, Jean-Claude Naimro, Claude Vamur and Georges Décimus (who left to form Volte Face and returned). Kassav' have issued over 20 albums, with a further 12 solo albums by band members.
The music of Kassav is an extension of cadence-lypso or compas bands, such as Grammacks, Exile One, Les Aiglons and Experience 7 of the 1970s.
Kassav' was formed in 1979 by Pierre-Edouard Décimus (former musicians from the Les Vikings de Guadeloupe) and Paris studio musician Jacob F. Desvarieux. Together and under the influence of well-known Dominican, Haitian and Guadeloupean kadans or compas bands like Experience 7, Grammacks, Exile One, Les Aiglons, Tabou Combo, Les Freres Dejean, Zekle, etc., they decided to make Guadeloupean carnival music recording it in a more fully orchestrated yet modern and polished style. The name of the band is Antillean Creole for a local dish made from cassava root.